In Broadcast - February 2015 - 26

26

www.inbroadcast.com | Vol: 5 - Issue 2 | February 2015

InPreview

BVE 2015: The Home Of 4K cont'd...
This incorporates the new JVC GYHM170 and GY-HM200 handheld 1/2.3"
camcorders with a 12x optical zoom,
recording 4K Ultra HD and 4:2:2 HD to
SD cards. On top of built-in ND filters,
and live UHD output, the GY-HM200
adds dual XLR inputs via an integrated
handle. This model also maintains
JVC's admirable streaming capabilities,
allowing Ustream viewers to tune in
live.
In terms of larger sensor models, the
GY-LS300CHE handheld camcorder
and GW-SP100E remote head camera
system (comprising camera head,
a recording/playback device with a
detachable 7-inch LCD monitor and a
wired camera remote control panel)
both employ a new 4K Super 35mm
sensor and MFT lens mount. Variable
Scan Mapping technology maintains
the native angle of view for a variety
of lenses, including Super 35, MFT and
Super 16 and, as a result, lens options
for the cameras are extremely broad.
"People have been very interested in
the new 4K cameras so far, especially
the GY-LS300CHE and the GY-HM200,
and they seem to like the fact that our
cameras have a 4K facility ready for
when they might require it, without
any additional investment," comments
Cox.
IO Industries: Canadian IO Industries
will focus on its Flare 2K and 4KSDI
products. The higher resolution 4K
/ UltraHD device is designed for
shooting in tight spaces. It is small
and flexible enough to be mounted
to a drone or motorbike and can be
controlled using a handheld remote or
over an RS485 connection.
Panasonic: Panasonic has in the
space of a year developed a strong
UHD offering, from its A500 action
camera, through the acclaimed GH4,
new low-cost HC-X1000 and the
cinematic VariCam. All are expected to
be on show at BVE.

Panasonic's AW-HE40S AV-Broadcast
Crossover PTZ

Nigel Wilkes, Group Manager at
Panasonic ProAV UK, said: "We're very
excited to be showing the VariCam at
BVE. The take up since we launched
the camera in September has been
highly impressive and we've had lots
of positive feedback regarding the
camera's colour reproduction and
workflow capabilities."
However, like JVC which is building
broadcast quality HD recording into its
4K products, Panasonic has more than
an eye on core 1080 production. As
such, it will show its two new remote
PTZ cameras, the AW-HE130, and the
AW-HE40. The very user friendly AWHE40 is expected to be ideal for the
lecture, conference and AV market,
while the AW-HE130 can be used from
lecture broadcasting to reality TV and
documentary production. The London
show will be the UK's first chance to
see the new PX800, said to be the
world's lightest 2/3 type shouldermount camcorder with 3MOS image
sensors.
ARRI: ARRI has been resistant to
calls for a native 4K product, a fact
that seems to have harmed it very
little. The dominance of its Alexa
in high end production appears
matched by ARRI's growing success
in the documentary arena where
Amira is winning substantial acclaim.
Interestingly, this newer model has the
capability to record in UltraHD ProRes.
The company declared:
"While widespread adoption of 4K or
UHD for broadcast is still a long way
off, an increasing number of content
owners are becoming concerned that
they ought to safeguard the longevity
of their programmes by ensuring
that they will be suitable for UHD
transmission, should that become a
standard in the future."
This was written in August 2014.
Have the intervening months changed
ARRI's opinion of 4K? It seems not,
with ARRI's Milan Krsljanin Business
Development Manager commenting
(about Amira's UHD feature): "Who
needs it loves it, who doesn't need it is
pleased they can easily have it if they
need it."
Gearhouse Broadcast & Hitachi:
Gearhouse will demonstrate the new
Hitachi SK-UHD4000 4K cameras.
The SK-UHD4000 is a 4K UltraHD
broadcast camera system which can
take conventional 2/3-inch B4 mount
lenses. It outputs HD and 4K video
signals separately, which means that it
can be used in HD environments whilst

capturing archive or test
material in 4K. When
Ikegami's New
demand for live
HC-HD300
UHD arises, the SKUHD4000 is ready to
seamlessly adapt to
4K workflows.
Several tests of 4K
production
workflows
have taken place with the
SK-UHD4000. A trial by Sky
Sports during the Ryder Cup at
the legendary Gleneagles saw
the cameras integrated into an
entirely 4K-focused workflow and
the ATP World Tour Finals tennis
at The O2 saw a test in how well the
cameras performed when integrated Production Accessories
into an existing HD workflow.
Thum
&
Mahr
Gmbh
are
Whether this momentum will demonstrating two new multi-touchincrease post-CES is still to be capable IPS 7-inch and 10-inch
seen, but with sports and live event displays with luminous colours and
broadcasting
huge
and
highly wide viewing angles. Featuring
competitive business opportunities, it's capacitive touch technology, they
here where any live 4K breakthrough provide advanced functionality with an
is likely to happen first.
awareness of up to five touch points.
Sony: Eyes will be on the
Blueshape: The highlight for
extraordinarily
popular
PXW-FS7 Blueshape is the Granite V-Lock
entry-level system camera and cost- battery series. They are known to
effective handheld PMW-X70. Although be extremely tough and can be
both are 4K-capable, the PMW-X70 still paired with the most power-hungry
awaits the UltraHD upgrade which will HD cameras. The original range has
enable high resolution capture. Sony recently been enhanced with three
customers will doubtless be chewing new Splash models which benefit from
the ears of Sony staff at BVE for news IP65 rating.
of the promised 2015
update.
Ikegami: As if to
illustrate the opening
argument about the flux
in the market, Ikegami
is covering all bases.
Firstly, it has announced
that it will debut the
HC-HD300 3-CMOS HD
Two new systems from Fischer Connectors
studio camera system
at the February event. Beyond that,
Fischer Connectors: Winter 2015
the manufacturer has a number of was a busy time for this leading cable
tantalizing high-resolution options.
and connector manufacturer. BVE will
"At IBC, Ikegami showed a camera be an opportunity for UK buyers to
system based on the HDK-97ARRI catch up on the latest developments
(large single 35mm Sensor, PL Lens which include the new Ultimate Series
mount) camera with 4K output - a rugged, compact and lightweight
available as an option from the CCU. connector - and the MiniMax range
Ikegami has also manufactured several of 19-pin and 24-pin miniature
Super Hi-Vision Camera systems for connectors.
NHK in Japan - these are "8K" systems
Vislink: Fresh from its success
- which were used at, for example, supplying technology to the inaugural
London 2012 and Brazil 2014. [We are] Formula E racing series and last
watching the market carefully, and Autumn's Ryder Cup, Vislink will
assessing the various optical sensors be showing its latest broadcast
available in the 4K to 8K resolution innovations.
range, with a view to manufacturing
A specialist in event and sports
cameras and systems once the coverage, and newsgathering, the
technology and costs are right," manufacturer will demonstrate the
commented UK General Manager Mark highest quality wireless picture
Capstick.
transmission on its booth.


http://www.inbroadcast.com https://www.youtube.com/watch?x-yt-cl=85114404&v=EH5W7VvBw3Y&feature=player_detailpage&x-yt-ts=1422579428 http://www.fischerconnectors.com/uk/en/news/fischer-connectors-extends-fischer-minimaxtm-series-pin-socket-version http://business.panasonic.co.uk/professional-camera/integrated-pt-cameras/AW-HE40S

In Broadcast - February 2015

Table of Contents for the Digital Edition of In Broadcast - February 2015

In Broadcast - February 2015 - Intro
In Broadcast - February 2015 - Cover1
In Broadcast - February 2015 - Cover2
In Broadcast - February 2015 - 3
In Broadcast - February 2015 - 4
In Broadcast - February 2015 - 5
In Broadcast - February 2015 - 6
In Broadcast - February 2015 - 7
In Broadcast - February 2015 - 8
In Broadcast - February 2015 - 9
In Broadcast - February 2015 - 10
In Broadcast - February 2015 - 11
In Broadcast - February 2015 - 12
In Broadcast - February 2015 - 13
In Broadcast - February 2015 - 14
In Broadcast - February 2015 - 15
In Broadcast - February 2015 - 16
In Broadcast - February 2015 - 17
In Broadcast - February 2015 - 18
In Broadcast - February 2015 - 19
In Broadcast - February 2015 - 20
In Broadcast - February 2015 - 21
In Broadcast - February 2015 - 22
In Broadcast - February 2015 - 23
In Broadcast - February 2015 - 24
In Broadcast - February 2015 - 25
In Broadcast - February 2015 - 26
In Broadcast - February 2015 - 27
In Broadcast - February 2015 - 28
In Broadcast - February 2015 - 29
In Broadcast - February 2015 - 30
In Broadcast - February 2015 - 31
In Broadcast - February 2015 - 32
In Broadcast - February 2015 - 33
In Broadcast - February 2015 - 34
In Broadcast - February 2015 - 35
In Broadcast - February 2015 - 36
In Broadcast - February 2015 - 37
In Broadcast - February 2015 - 38
In Broadcast - February 2015 - 39
In Broadcast - February 2015 - 40
In Broadcast - February 2015 - 41
In Broadcast - February 2015 - 42
In Broadcast - February 2015 - 43
In Broadcast - February 2015 - 44
In Broadcast - February 2015 - 45
In Broadcast - February 2015 - 46
In Broadcast - February 2015 - 47
In Broadcast - February 2015 - 48
In Broadcast - February 2015 - 49
In Broadcast - February 2015 - 50
In Broadcast - February 2015 - 51
In Broadcast - February 2015 - 52
In Broadcast - February 2015 - 53
In Broadcast - February 2015 - 54
In Broadcast - February 2015 - 55
In Broadcast - February 2015 - 56
In Broadcast - February 2015 - 57
In Broadcast - February 2015 - 58
In Broadcast - February 2015 - 59
In Broadcast - February 2015 - 60
In Broadcast - February 2015 - 61
In Broadcast - February 2015 - 62
In Broadcast - February 2015 - 63
In Broadcast - February 2015 - 64
In Broadcast - February 2015 - 65
In Broadcast - February 2015 - 66
In Broadcast - February 2015 - 67
In Broadcast - February 2015 - 68
In Broadcast - February 2015 - 69
In Broadcast - February 2015 - 70
In Broadcast - February 2015 - 71
In Broadcast - February 2015 - 72
In Broadcast - February 2015 - 73
In Broadcast - February 2015 - 74
In Broadcast - February 2015 - 75
In Broadcast - February 2015 - 76
In Broadcast - February 2015 - 77
In Broadcast - February 2015 - 78
In Broadcast - February 2015 - 79
In Broadcast - February 2015 - 80
In Broadcast - February 2015 - S1
In Broadcast - February 2015 - S2
In Broadcast - February 2015 - S3
In Broadcast - February 2015 - S4
In Broadcast - February 2015 - S5
In Broadcast - February 2015 - S6
In Broadcast - February 2015 - S7
In Broadcast - February 2015 - S8
In Broadcast - February 2015 - S9
In Broadcast - February 2015 - S10
In Broadcast - February 2015 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110506
https://www.nxtbookmedia.com