American Cinematographer - June 2016 - 46
◗
Heroes Divided
Top: Wilson, Rogers
and T'Challa are
brought into
custody for
interfering in the
authorities' pursuit
of Barnes. Middle:
Barnes is detained
in a maximumsecurity cell.
Bottom: Rogers
strains to keep a
helicopter from
taking flight.
they're supposed to move faster than a
normal human," says Joe. "This combination creates very kinetic and dynamic
movement from the actors and stunt
players."
Opaloch adds, "We'll almost
always keep [the shutter] at 45 degrees
for action work if we can afford the Tstop, but if it starts to strobe or gets too
crazy depending on the context, we
might go to 23 frames or back to 24.
Dialogue would always be at 24
frames."
Opaloch paired the Alexa XT
with Panavision anamorphic prime
lenses, including, in descending order of
use, the G, E and C Series. He also
employed a 150mm lens from
Panavision's new anamorphic T Series,
which the company touts as offering
new optical layouts and mechanical
advances over the G Series. On the day,
the choice of lens series came down to
which one Opaloch considered best at a
given focal length, based on notes kept
by A-camera 1st AC Taylor Matheson.
"What I've always liked about the
anamorphic format is how it focuses
46
June 2016
American Cinematographer
American Cinematographer - June 2016
Table of Contents for the Digital Edition of American Cinematographer - June 2016
Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
American Cinematographer - June 2016 - 7
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American Cinematographer - June 2016 - 45
American Cinematographer - June 2016 - 46
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