American Cinematographer - June 2016 - 54
◗
Heroes Divided
Opaloch checks
the frame for a
shot with the
Arri Alexa 65
camera.
lighting-console programmer Scott
Barnes, who worked on a High End
Systems Hog 4 console. "We knew we'd
have to bounce around the room for
coverage," Opaloch explains. "That way,
when we turned around, we could [dim]
down on the camera side and bring up
the background for a little backlight. It's
54
a great soft source when you have three
cameras and need open air among a
group of actors."
When the soft box served as the
key light, the crew would sometimes
add fill with a book light on the table.
The book light would consist of either a
Celeb Q or Murrell's homemade "pizza
box" - a 2'x2' flat panel with strips of
LiteGear LiteRibbon hybrid LEDs
attached - aimed into Ultrabounce
and then diffused through Light Grid.
Most often, however, a three-quarter
key light was positioned from the floor
and motivated by the room's large
window; this key-light configuration
often incorporated pizza boxes pushed
through 4'x4' Lee Heavy Frost or
White Diffusion. If there was more
space, the crew would use Kino Flo
Celeb 401Q DMX LED soft panels or
Celeb 800s through 8'x8' Light Grid or
Full Grid. The set dressing also
included practical standing lamps, and
when Opaloch wanted harder edges, he
turned to color-changeable Arri L5, L7
and L10 LED units.
Technicolor provided a show
LUT that, after testing, was further
finessed by Opaloch, Spicer and visualeffects supervisor Dan Deleeuw. While
Opaloch naturally leans toward less
saturation, the filmmakers strove to
American Cinematographer - June 2016
Table of Contents for the Digital Edition of American Cinematographer - June 2016
Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
American Cinematographer - June 2016 - 7
American Cinematographer - June 2016 - 8
American Cinematographer - June 2016 - 9
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American Cinematographer - June 2016 - 11
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American Cinematographer - June 2016 - 14
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American Cinematographer - June 2016 - 18
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American Cinematographer - June 2016 - 20
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American Cinematographer - June 2016 - 36
American Cinematographer - June 2016 - 37
American Cinematographer - June 2016 - 38
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American Cinematographer - June 2016 - 54
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American Cinematographer - June 2016 - 120
American Cinematographer - June 2016 - Cover3
American Cinematographer - June 2016 - Cover4
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