American Cinematographer - June 2016 - 96
◗
Against the Clock
cakes, jellies and cookies, though
Ralston's team created the surrounding
environs by trailing the grass off into
blue carpet.
Dryburgh and the effects team
chose to work with bluescreen rather
than green due to the nature of the
movie's onscreen surroundings. "If
you're working with an environment
that is more in cool tones, if you get a
little bit of blue fringing or pollution
on a foreground element or face, it's
much more forgiving," says Dryburgh.
"You make this choice per project."
While in the first picture the
Victorian London scenes were limited
primarily to a country house and a
garden party, the aboveground scenes
for Alice Through the Looking Glass were
more ambitious. One of Dryburgh's
main inspirations for the look of these
scenes was Autochrome Lumière, an
early color-photography process that
was patented by the Lumière brothers
in 1903. The medium consists of a
glass plate coated with tiny potatostarch grains that were dyed redorange, green and blue-violet.
Lampblack fills the spaces between the
grains and a black-and-white silverhalide emulsion coats the top of the
filter layer. "It was a very early process
similar to daguerreotype," explains
Dryburgh. "In terms of color and
lighting, it really became our main
reference."
The movie opens with an action
sequence that depicts Alice's voyage
home, a trek that involves fleeing from
pirates. The nighttime storm is infused
with blacks and cyan, with flashes of
lightning and flame as the pirates
attack - a sequence that was shot on
a full-sized gimbaled ship on the back
lot at Longcross Studios. For Alice's
arrival in London, Dryburgh crafted a
smoky, sepia look. The production
shot several sequences at the historic
Gloucester Docks, a Victorian-era
shipping port. "It is being treated
as a heritage site, so it's all pristine
1800s warehouse architecture," says
Dryburgh. "We brought in a bunch of
tall ships so we were able to re-create
Top and bottom:
The crew
captures the
sequence in
which Alice is
attacked by
pirates during
her voyage home
to London.
Middle: Dryburgh
readies for action
on the ship set.
96
June 2016
American Cinematographer
American Cinematographer - June 2016
Table of Contents for the Digital Edition of American Cinematographer - June 2016
Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
American Cinematographer - June 2016 - 7
American Cinematographer - June 2016 - 8
American Cinematographer - June 2016 - 9
American Cinematographer - June 2016 - 10
American Cinematographer - June 2016 - 11
American Cinematographer - June 2016 - 12
American Cinematographer - June 2016 - 13
American Cinematographer - June 2016 - 14
American Cinematographer - June 2016 - 15
American Cinematographer - June 2016 - 16
American Cinematographer - June 2016 - 17
American Cinematographer - June 2016 - 18
American Cinematographer - June 2016 - 19
American Cinematographer - June 2016 - 20
American Cinematographer - June 2016 - 21
American Cinematographer - June 2016 - 22
American Cinematographer - June 2016 - 23
American Cinematographer - June 2016 - 24
American Cinematographer - June 2016 - 25
American Cinematographer - June 2016 - 26
American Cinematographer - June 2016 - 27
American Cinematographer - June 2016 - 28
American Cinematographer - June 2016 - 29
American Cinematographer - June 2016 - 30
American Cinematographer - June 2016 - 31
American Cinematographer - June 2016 - 32
American Cinematographer - June 2016 - 33
American Cinematographer - June 2016 - 34
American Cinematographer - June 2016 - 35
American Cinematographer - June 2016 - 36
American Cinematographer - June 2016 - 37
American Cinematographer - June 2016 - 38
American Cinematographer - June 2016 - 39
American Cinematographer - June 2016 - 40
American Cinematographer - June 2016 - 41
American Cinematographer - June 2016 - 42
American Cinematographer - June 2016 - 43
American Cinematographer - June 2016 - 44
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American Cinematographer - June 2016 - Cover3
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