In Broadcast - March 2015 - 76

76

www.inbroadcast.com | Vol: 5 - Issue 3 | March 2015

InTech

MultiDyne 'Harness The Power Of Light'
A

s part of its continuing efforts
to 'Harness The Power of Light'
at the 2015 NAB Show, MultiDyne will
demonstrate the latest innovations
in fibre-optic-based video and audio
transport solutions for professional
A/V and broadcast applications.
A key highlight at the event will
be new functionality and

MultiDyne
SilverBack 4K5
offers single fibre 4K operation

enhancements for the SilverBack
family of camera-mounted fibre
transport solutions to support all types
of HD, Ultra HD, and 4K productions.
MultiDyne
will
showcase
an
expanded line of SilverBack 4K
camera-mounted
fibre
transport
solutions,
which
now
support
any existing 4K camera. The new
SilverBack 4K5 enables users
to broaden the range of
their existing 4K cameras
by converting any quad-link
4K camcorder to a 4K live
fully systemised camera,
connected to a base station
with a single fibre cable.
The SilverBack 4K5 provides
a full-bandwidth fibre-optic link
between any quad- or dual-link 4K
camera and the truck, control room, or
'video village' position. By putting all
of the signals needed for multicamera
4K/UHD TV production onto a single
tactical or SMPTE hybrid fibre cable,
the system ensures robust, troublefree connectivity, whether used in the
studio or at a remote location.
MultiDyne will introduce a new line

of highly affordable, compact, and
portable signal conversion modules
called the Mini eXchange Series. These
feature a small, flat-form factor that
facilitates easy installation behind
a monitor, in the back of a rack, or
directly on a camera rig. All Mini
eXchange Series compact converters
are covered by MultiDyne's renowned
seven-year warranty and a 'no
questions asked' replacement policy.
Also on display will be the MultiDyne
4K-4000 fibre-optic transport system.
Designed to address the tremendous
data requirements involved with
delivering 4K/UHD digital television,
the 4K-4000 enables users to
transport a 4K signal over one singlemode fibre. The cost-effective unit
is portable or rack-mountable,
offering users a high degree
of flexibility. There is also a
card version for the openGear
platform with SNMP management
and redundant power.
The MultiDyne BullDog is a rugged
field-based fibre transport system that
packs a wide range of functionality
into a compact package. In addition to

demonstrating the standard compact
version, MultiDyne will highlight two
larger-sized units that pack even
more functionality into a rugged and
compact form factor.
Using
the
BullDog,
camera
operators can significantly extend
the transmission distance of multiple
camera signals, including HD-SDI
video, audio, intercom, control data,
Ethernet, GPIOs, tally, and power.
In addition to transporting any
camera signal over a single fibre cable,
the BullDog can efficiently transport
up to eight HD-SDI signals in any
direction.

MultiDyne BullDog
field-based fibre transport system

Hitachi Showcases 4K
Ultra-HDTV Camera
H

itachi Kokusai Electric Turkey will
stage the first ever Middle East
showcase of its SK-UHD4000 4K Ultra
HD TV broadcast camera system at
CABSAT.
The camera system provides
advanced 4K UHD performance
capabilities and a straightforward
upgrade pathway since it can use the
2/3-inch B4 mount lenses found in
conventional HD broadcast cameras.
From
studio
production
to
documentaries, sports or live-events,
the camera system offers an elegant
migration pathway from HD to 4K Ultra
HD TV.
The use of standard HD lenses with
the SK-UHD4000 eliminates the
need for special conversion adapters.
This feature allows broadcasters to
effectively use their existing lenses and
shoot video in 4K.
"The SK-UHD4000 is our most
advanced
camera
system:
an
innovative 4K Ultra-HDTV camera that
makes it easy to produce programmes

shot in 4K resolution, which is forecast
to become the industry standard
in the near future," said Cemal
Yilmaz, General Manager of Hitachi
Kokusai Turkey. "It provides effective
solutions to the challenges of live
sports broadcasts outdoors, such as
sensitivity and depth of field."
Equipped with a newly developed
Hitachi 2/3-inch MOS sensor, it is
possible to produce video images with
high sensitivity and high resolution.
It also helps to reduce the power
consumed by the SK-UHD4000 to 38W
- equivalent to the power consumption
of a 1080p HD broadcasting camera.
The 2/3-inch B4 lens mount enables
broadcasters to use their existing lens
stock, allowing them to continue using
these valuable assets.
Operationally,
since
the
SKUHD4000 has a 2/3 inch prism, optical
characteristics, such as depth of field
and focus, will be the same as a 2/3
inch broadcast HD camera.
For demanding applications, such

as
live
sports
broadcasts,
4K
resolution content
can be produced
just as easily as with
conventional
HD
programmes.
Despite
its
exceptional output
capabilities,
the
SK-UHD4000
is
Hitachi's SK-UHD4000 4K Ultra-HDTV camera system
as easy to handle
as existing HD broadcast cameras. Electric applied its high-precision
Once again, it can also be used in lens bonding methods, and original
combination with standard HD camera video signal processing technology, to
accessories such as a studio adaptor produce exceptionally high levels of
for mounting high magnification studio resolution.
lenses.
The camera control unit for the SKHitachi's newly developed 2/3-inch UHD4000 stands 2RU tall, lending
MOS sensor delivers industry-leading itself to operation within the confines
levels of sensitivity and resolution, of OB vehicles.
whilst the optical system, originally
The SK-UHD4000 generates HD and
developed by Hitachi Kokusai Electric, 4K video signals separately, enabling
allows for the reproduction of colour HD and 4K video outputs at the same
in high-fidelity. To get the most out time, and to extract HD quality video
of 2/3-inch lenses, Hitachi Kokusai from 4K footage.


http://www.inbroadcast.com http://www.multidyne.com/productlist.cfm?CategoryID=125 http://www.multidyne.com/productlist.cfm?CategoryID=132 http://www.hitachikokusai.us/Products/BroadcastandProfessionalCameras/BroadcastandStudioProductionCameras/POC_021492.html

In Broadcast - March 2015

Table of Contents for the Digital Edition of In Broadcast - March 2015

In Broadcast - March 2015 - Intro
In Broadcast - March 2015 - Cover1
In Broadcast - March 2015 - Cover2
In Broadcast - March 2015 - 3
In Broadcast - March 2015 - 4
In Broadcast - March 2015 - 5
In Broadcast - March 2015 - 6
In Broadcast - March 2015 - 7
In Broadcast - March 2015 - 8
In Broadcast - March 2015 - 9
In Broadcast - March 2015 - 10
In Broadcast - March 2015 - 11
In Broadcast - March 2015 - 12
In Broadcast - March 2015 - 13
In Broadcast - March 2015 - 14
In Broadcast - March 2015 - 15
In Broadcast - March 2015 - 16
In Broadcast - March 2015 - 17
In Broadcast - March 2015 - 18
In Broadcast - March 2015 - 19
In Broadcast - March 2015 - 20
In Broadcast - March 2015 - 21
In Broadcast - March 2015 - 22
In Broadcast - March 2015 - 23
In Broadcast - March 2015 - 24
In Broadcast - March 2015 - 25
In Broadcast - March 2015 - 26
In Broadcast - March 2015 - 27
In Broadcast - March 2015 - 28
In Broadcast - March 2015 - 29
In Broadcast - March 2015 - 30
In Broadcast - March 2015 - 31
In Broadcast - March 2015 - 32
In Broadcast - March 2015 - 33
In Broadcast - March 2015 - 34
In Broadcast - March 2015 - 35
In Broadcast - March 2015 - 36
In Broadcast - March 2015 - 37
In Broadcast - March 2015 - 38
In Broadcast - March 2015 - 39
In Broadcast - March 2015 - 40
In Broadcast - March 2015 - 41
In Broadcast - March 2015 - 42
In Broadcast - March 2015 - 43
In Broadcast - March 2015 - 44
In Broadcast - March 2015 - 45
In Broadcast - March 2015 - 46
In Broadcast - March 2015 - 47
In Broadcast - March 2015 - 48
In Broadcast - March 2015 - 49
In Broadcast - March 2015 - 50
In Broadcast - March 2015 - 51
In Broadcast - March 2015 - 52
In Broadcast - March 2015 - 53
In Broadcast - March 2015 - 54
In Broadcast - March 2015 - 55
In Broadcast - March 2015 - 56
In Broadcast - March 2015 - 57
In Broadcast - March 2015 - 58
In Broadcast - March 2015 - 59
In Broadcast - March 2015 - 60
In Broadcast - March 2015 - 61
In Broadcast - March 2015 - 62
In Broadcast - March 2015 - 63
In Broadcast - March 2015 - 64
In Broadcast - March 2015 - 65
In Broadcast - March 2015 - 66
In Broadcast - March 2015 - 67
In Broadcast - March 2015 - 68
In Broadcast - March 2015 - 69
In Broadcast - March 2015 - 70
In Broadcast - March 2015 - 71
In Broadcast - March 2015 - 72
In Broadcast - March 2015 - 73
In Broadcast - March 2015 - 74
In Broadcast - March 2015 - 75
In Broadcast - March 2015 - 76
In Broadcast - March 2015 - 77
In Broadcast - March 2015 - 78
In Broadcast - March 2015 - 79
In Broadcast - March 2015 - S1
In Broadcast - March 2015 - S2
In Broadcast - March 2015 - S3
In Broadcast - March 2015 - S4
In Broadcast - March 2015 - S5
In Broadcast - March 2015 - S6
In Broadcast - March 2015 - S7
In Broadcast - March 2015 - S8
In Broadcast - March 2015 - S9
In Broadcast - March 2015 - S10
In Broadcast - March 2015 - S11
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202404
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202403
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202402
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
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