Vintage Guitar - September 2017 - open - 32

of Jimi Hendrix and designed the
modular epoxy-potted pickups
that went into the Ampeg Dan
Armstrong "see-through" plexiglas guitar introduced in '69.
For Gibson, his efforts yielded at
least four guitars including the L-6S,
introduced in 1973 with new high-output
Super Humbuckers, the Marauder and S-1
introduced in '75, and the Ripper Bass. All
had exceptionally interesting electronics.
From a distance, the Marauder fits
into the "Les Paul" category, but look
closer and you see a whole different
animal! Launched as the Marauder
and Marauder Custom, it initially had
a alder body with a bolt-on laminated
maple neck, rosewood fingerboard
with pearl dot inlays, and a Flying
V-style head with nickel hardware.
The Custom added a laminated pickguard, black-pearl dot inlays, and gold
hardware. Finishes were natural satin
(catalog number 380478) and wine red
(380477). Later Marauders were made
of mahogany or maple.
These features alone don't distinguish the Marauder from other highquality bolt-neck Les Paul copies. That
job is left to the Lawrence electronics

Black lacquer finish on the
Marauder's figured-maple neck.

VINTAGE GUITAR

32

September 2017

that make it truly interesting. The
neck pickup is a version of Lawrence's Super Humbucker from
the L-6S, potted in epoxy and
left uncovered. It's wound with
nifty red-coated wire! The bridge
pickup, also potted, is a single-coil
(wound in cool green) with four-blade
poles designed to accentuate trebles.
The Marauder represents a radical
re-conceptualization of guitar sound.
Conventional pickup switching focuses
on points of sound, essentially at the pole
pieces, sometimes combining two points
in-between, as with the five-way switch
on some Stratocasters. On the Marauder,
Lawrence installed a potentiometer that
served as a "blender" that envisioned the
sound as a continuum between the two
pickups; the user dialed-in the spot on
that line where they wanted their tone to
be. This continuum is then run through a
master Volume and master Tone control.
Despite their cleverness, Marauders
didn't ravish the guitar universe much
as Gibson kept trying. In 1976-'77, it
introduced a new Marauder Custom,
with a bound rosewood fingerboard,
mini-block inlays, and a conventional
three-way select toggle. It probably



Vintage Guitar - September 2017 - open

Table of Contents for the Digital Edition of Vintage Guitar - September 2017 - open

Contents
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Vintage Guitar - September 2017 - open - IFC
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